Mythology

The term mythology can refer to either the study of myths or a body of myths. For example, comparative mythology is the study of connections between myths from different cultures, whereas Greek mythology is the body of myths from ancient Greece. The term "myth" is often used colloquially to refer to a false story; however, the academic use of the term generally does not refer to truth or falsity. In the study of folklore, a myth is a sacred narrative explaining how the world and humankind came to be in their present form. Many scholars in other fields use the term "myth" in somewhat different ways. In a very broad sense, the word can refer to any traditional story.

Nature of myths

Typical characteristics

The main characters in myths are usually gods or supernatural heroes. As sacred stories, myths are often endorsed by rulers and priests and closely linked to religion. In the society in which it is told, a myth is usually regarded as a true account of the remote past. In fact, many societies have two categories of traditional narrative:

• Myths, "true stories"
• Fables, "false stories

Myths generally take place in a primordial age, when the world had not yet achieved its current form. They explain how the world gained its current form and how customs, institutions, and taboos were established.

Related concepts

Closely related to myth are legend and folktale. Myths, legends, and folktales are different types of traditional story. Unlike myths, folktales can take place at any time and any place, and they are not considered true or sacred events by the societies that tell them. Like myths, legends are stories that are traditionally considered true; however, they are set in a more recent time, when the world was much as it is today. Also, legends generally feature humans as their main characters, whereas myths generally focus on superhuman characters. The distinction between myth, legend, and folktale is meant simply as a useful tool for grouping traditional stories. In many cultures, it is hard to draw a sharp line between myths and legends.

Myth, legend, and folktale are only a few of the categories of traditional stories. Other categories include anecdotes and some kinds of jokes. Traditional stories, in turn, are only one category within folklore, which also includes items such as gestures, costumes, and music.

Origins of myth

The first scholarly theories of myth appeared during the second half of the 19th century. In general, these 19th-century theories framed myth as a failed or obsolete mode of thought, often by interpreting myth as the primitive counterpart of modern science:

Euhemerism

One theory claims that myths are distorted accounts of real historical events. According to this theory, storytellers repeatedly elaborated upon historical accounts until the figures in those accounts gained the status of gods. For example, one might argue that the myth of the wind-god Aeolus evolved from a historical account of a king who taught his people to use sails and interpret the winds. This theory is named "euhemerism" after the novelist Euhemerus (c.320 BC), who suggested that the Greek gods developed from legends about human beings.

Allegory

Some theories propose that myths began as allegories. According to one theory, myths began as allegories for natural phenomena: Apollo represents fire, Poseidon represents water, and so on.[25] According to another theory, myths began as allegories for philosophical or spiritual concepts: Athena represents wise judgment, Aphrodite represents desire, etc. The 19th century Sanskritist Max Muller supported an allegorical theory of myth. He believed that myths began as allegorical descriptions of nature, but gradually came to be interpreted literally: for example, a poetic description of the sea as "raging" was eventually taken literally, and the sea was then thought of as a raging god.

Personification

Some thinkers believe that myths resulted from the personification of inanimate objects and forces. According to these thinkers, the ancients worshipped natural phenomena such as fire and air, gradually coming to describe them as gods. For example, according to the theory of mythopoeic thought, the ancients tended to view things as persons, not as mere objects; thus, they described natural events as acts of personal gods, thus giving rise to myths.

The myth-ritual theory

According to the myth-ritual theory, the existence of myth is tied to ritual. In its most extreme form, this theory claims that myths arose to explain rituals. This claim was first put forward by the biblical scholar William Robertson Smith. According to Smith, people begin performing rituals for some reason that is not related to myth; later, after they have forgotten the original reason for a ritual, they try to account for the ritual by inventing a myth and claiming that the ritual commemorates the events described in that myth.

Many 20th-century theories of myth rejected the 19th-century theories' opposition of myth and science. Robert Segal provides this generalization:

Twentieth-century theories have tended to see myth as almost anything but an outdated counterpart to science [...] Consequently, moderns are not obliged to abandon myth for science.

Swiss psychologist Carl Jung (1873-1961) and his followers tried to understand the psychology behind world myths. Jung argued that all humans share certain innate unconscious psychological forces, which he called archetypes. Jung believed that the similarities between the myths from different cultures reveals the existence of these universal archetypes. Following Jung, Joseph Campbell believed that insights about one's psychology, gained from reading myths, can be beneficially applied to one's own life. For example, Campbell claimed that mythology's primary function is "that of eliciting and supporting a sense of awe before the mystery of being" and that mythology also serves "to initiate the individual into the order of realities of his own psyche."

Like Jung and Campbell, Claude Levi-Strauss believed that myths reflect patterns in the mind. However, he saw those patterns more as fixed mental structures (specifically, pairs of oppositions) than as unconscious feelings or urges.

Mircea Eliade attributed modern man's anxieties to his rejection of myths and the sense of the sacred.

Mythopoeia is a term coined by J. R. R. Tolkien for the conscious attempt to create fiction styled like myths.